1814 MAGAZINE is a limited edition, bi annual publication that focuses on photography, design, art, and culture.

1814 MAGAZINE is dedicated to providing a unique platform for established and emerging artists.

1814 MAGAZINE strives to combine the best in both words and images from some of the greatest photographers and artists of the 20th and 21st century. Recent issues have included such celebrated artists as E.O. Hoppe, Massimo Vitali, Eudora Welty, Bernard Faucon, Donna DeMari, Karlheinz Weinberger as well as Henry Horenstein, Wang Qinsong, Vivian Maier, Georges Dambier, Christer Stromholm, Edward Ruscha, Yves Marchand & Romaine Meffre, Antony Armstrong Jones, Paulina Otylie Surys, Chris Stein, Mel Roberts, and Alexander Gronsky. Known for its clean gallery type presentation and unusual juxtapositions, 1814 MAGAZINE both mirrors and encourages the evolution of photography, art and culture.


Hutterites Of Montana - Photographs by Laura Wilson from her book 'Hutterites Of Montana' - Interview with Laura Wilson

1814: How did you come to choose Hutterites as a subject to photograph?

LW: Still vivid in my mind is my first glimpse of the Hutterites. I was working for Richard Avedon and we were driving in Montana at dusk. There was a lovely pink sunset. We saw in the distance across an open meadow of wheat, figures walking. The girls in long, colorful dresses, like Christian LaCroix, the boys in white shirts and black pants. We drove up next to them and realized they were teenagers out courting. They said they were Hutterites and told us we could stop by the colony. When we went and visited them I knew that there was more than just a picture of two, because when you are working as a photographer or a journalist you realize you can immediately see a story. There aren't many stories that haven't been told in photography… and in the West, as Larry McCurty said, "There's not a belt buckle or a spur that hasn't been photographed". But these Hutterites, I'd never seen a picture of them nor had I heard any mention of them; they don't allow photography, so when I finished my work with Avedon, I went back to Montana alone to spend time in various colonies.

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