tag:blogger.com,1999:blog-51460909883165117902024-02-20T23:41:45.717-08:001814 MAGAZINE1814 MAGAZINE is a bi annual magazine; that focuses on photography, design, art and culture.
1814 MAGAZINE is dedicated to providing a unique medium for established and emerging artists to produce work without the constraints of many of today's commercial magazines.Unknownnoreply@blogger.comBlogger159125tag:blogger.com,1999:blog-5146090988316511790.post-63548990589299404682021-04-18T05:35:00.000-07:002021-04-18T05:35:04.134-07:00<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_PzQfscUNpVoRhUaAqGQDrWXLhuAjfdoEEQ_DSy_2tD-qdrjzdqZwKGkHr-uPq62vKn5oi0zRPTCA1KnRI1MpsTW2HNQJjW7PpHex08lyEM2w7_jO2B7Z3NJSsEc2nI8ZzCWDcg6PVOo/s2048/IMG_2711.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="2048" data-original-width="1473" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_PzQfscUNpVoRhUaAqGQDrWXLhuAjfdoEEQ_DSy_2tD-qdrjzdqZwKGkHr-uPq62vKn5oi0zRPTCA1KnRI1MpsTW2HNQJjW7PpHex08lyEM2w7_jO2B7Z3NJSsEc2nI8ZzCWDcg6PVOo/s600/IMG_2711.jpg"/></a></div>
1814 MAGAZINE Issue no. 14 Cover: "Dressed for Ball. 1988" by William Wegman.
Issue no. 14 includes the work of Markus Brunetti, Nathalie Daoust, Mark Graham, Greg Gorman, Thom Jackson, Michael Joseph, Servet Koçyigit, Barbara Mensch, Andy Sweet, Paul Yule, and William Wegman.Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-10333122480402041102021-03-30T18:01:00.005-07:002021-03-30T18:17:06.578-07:00<div class="separator" style="clear: both;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2awwq9KP7nvb5cHrX9gCRveYOFuPcpVSE66Dd4V5UrGrmpvMjlPSlX5UpgFJ0ehRa-iDp09tEKi1pYKz0IB-bB1YkpuW6Nfew3s4AwGNNvbcM5Ktiw8vnc32gcR2HAdD6q-Diz7OkJy0/s2048/IMG_2712.jpg" style="display: block; padding: 1em 0; text-align: center; "><img alt="" border="0" height="600" data-original-height="2048" data-original-width="1551" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2awwq9KP7nvb5cHrX9gCRveYOFuPcpVSE66Dd4V5UrGrmpvMjlPSlX5UpgFJ0ehRa-iDp09tEKi1pYKz0IB-bB1YkpuW6Nfew3s4AwGNNvbcM5Ktiw8vnc32gcR2HAdD6q-Diz7OkJy0/s600/IMG_2712.jpg"/></a></div>
1814 MAGAZINE Issue no. 14 Cover: "Luigi Vitali. Los Angeles. 2007" by Greg Gorman.
Issue no. 14 includes the work of Markus Brunetti, Nathalie Daoust, Mark Graham, Greg Gorman, Thom Jackson, Michael Joseph, Servet Koçyigit, Barbara Mensch, Andy Sweet, Paul Yule, and William Wegman.Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-80720160402212070382019-06-03T21:27:00.003-07:002019-07-17T18:50:20.632-07:001814 MAGAZINE Issue no. 12<div dir="ltr" style="text-align: left;" trbidi="on">
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Cover: Annie Lennox, London, 1983 by Peter Ashworth</div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-27295091457066208652019-06-03T21:20:00.002-07:002019-06-03T21:20:21.269-07:00Heliogabalus - Christian Lacroix, Paris, 1995 - 2000 - Photographs and Words by Alain-Charles Beau<div dir="ltr" style="text-align: left;" trbidi="on">
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"I first met Christian Lacroix 'virtually' when making films about his perfume. At the time I found myself surrounded with documentary material… press articles, family photographs, etc. … some of which were troublingly beautiful." - <i>Alain-Charles Beau</i></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-63622479513328955792019-06-03T21:11:00.002-07:002019-06-03T21:12:14.604-07:00Noki - Trangressive Riot & Masked Solitiude - Photographs and Words by Axel Hoedt from the book "Noki", a collaboration with artist J.J. Hudson aka Noki<div dir="ltr" style="text-align: left;" trbidi="on">
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"My series "Noki" is the result of an over 10 year long collaboration with J.J. Hudson aka Noki - confronting us with a transgressive riot of color and form cloaked in a sea of masked solitude…" - <i>Axel Hoedt</i></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-84480377515258153922019-06-03T21:06:00.001-07:002019-06-03T21:06:40.874-07:00Bastard Countryside - The Struggle Between Humanity & Nature - Photographs and Words by Robin Friend from the book "Bastard Countryside"<div dir="ltr" style="text-align: left;" trbidi="on">
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"<i>Bastard Countryside </i>explores the British countryside as a series of metaphors. Each photograph represents a small part of the story of how our modern living is changing the planet. Central to this story is the struggle between humanity and nature, two constraining forces fighting for control. Although the series has been made in the UK, the subjects and themes are global and invite the viewer to reflect on the actions that have shaped and shifted the spaces they interact with. And with this reflection, I hope they encourage the viewer to consider an alternative set of actions that can restrain this shape and shift…" - <i>Robin Friend</i></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-74681214481727034822019-06-03T20:57:00.000-07:002019-06-03T20:57:33.204-07:00Mavericks - Rebels, Dissenters, & Nonconformists - Photographs and Words by Peter Ashworth<div dir="ltr" style="text-align: left;" trbidi="on">
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-89364455656770900452019-06-03T20:54:00.000-07:002019-06-03T20:54:26.889-07:00Legion of Honour - "Honneur et Patrie" - Photographs by Ralph Gibson - Interview with Ralph Gibson<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>1814</b>: France, the French, French culture, French cities, and the French countryside have remained a constant theme in your work throughout your career as a photographer. What is it that captivates you about France and what keeps calling to you?<br />
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<b>RG</b>: France started as a fascination for me in the early 1990's based upon the incredible films of Jean-Luc Godard and his cinematographer Raoul Coutard. And the literature Margurite Duras and Alain Robbe-Grillet from the same period stimulated my mind and created an urge to somehow get to France…"</div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-21401842177558037112019-06-03T20:43:00.002-07:002019-06-03T20:43:46.092-07:00Manzanar - "Born Free & Equal" - The Story of Loyal Japanese-Americans - Photographs and Words by Ansel Adams<div dir="ltr" style="text-align: left;" trbidi="on">
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"Moved by the human story unfolding in the encirclement of desert and mountains, and by the wish to identify my photography in some creative way with the tragic momentum of the times, I came to Manzanar with my cameras in the Fall of 1943. For many years I have photographed the Sierra Nevada, striving to reveal by the clear statement of the lens those qualities of the natural scene which claim the emotion and spiritual response of the people. In these years of strain and sorrow, the grandeur, beauty, and quietness of the mountains are more important to us than ever before. I have tried to record the influence of the tremendous landscape if Inyo on the life and spirit of thousands of people living in force of circumstance in the Relocation Center of Manzanar." - <i>Ansel Adams</i></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-58291185896302846022019-06-03T20:34:00.001-07:002019-06-03T20:34:31.831-07:00London Lights - Chalk Farm, Pall Mall, Shaftesbury, Marlyebone, Clerkenwell, & Gloucester Place - Photographs by Fredrik Brodén<div dir="ltr" style="text-align: left;" trbidi="on">
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-26511591041295221472019-06-03T20:30:00.003-07:002019-06-03T20:44:21.251-07:00Paddy & Liam - Photographs by Perry Ogden from the Book "Paddy & Liam" - Words by Paddy Doran & Liam Doran<div dir="ltr" style="text-align: left;" trbidi="on">
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"We used to live in a caravan. It was better than living in a house 'cos you got to go out hunting with dogs and everything. We used to catch rabbits. And you get to make a fire in the middle of a field. We have a toilet now instead of going out in the bushes but we're not allowed to keep horses in our back garden. A woman my dad met before, Marina, she gave us a pony. When we got her she was wild then we started walking her around and started training her and everything. Her name is Gypsy Girl." - <i>Paddy & Liam</i></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-42538721546931314062019-06-03T20:20:00.001-07:002019-06-03T20:21:23.273-07:00In Search of the Monkey Girl - Carnival Culture & Sideshow Performers - Photographs by Randal Levenson - Courtesy of Randal Levenson and Joseph Bellows Gallery<div dir="ltr" style="text-align: left;" trbidi="on">
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In 1971 photographer Randal Levenson began a decade long odyssey, crisscrossing the United States, photographing carnival culture and sideshow performers. From Freyburg, Maine to Flaxton, North Dakota to Columbia, Ohio, Levenson moved from fair to fair, faithfully documenting the people and places he encountered...</div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-19449137190219973082019-06-03T20:13:00.001-07:002019-06-03T20:44:54.508-07:00Auf Wiedersehen - A Letter to Karl Lagerfeld from Cathleen Naundorf - Photographs by Cathleen Naundorf from the book Women of a Singular Beauty<div dir="ltr" style="text-align: left;" trbidi="on">
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"Dear Karl,<br />
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I met you the first time in 1997, when you invited me to you home on the Rue de l'Université in Paris. I remember that daty very well. It was a sunny April day. I was passing through the vast blue wooden door which opened to the courtyard of your beautiful 18th century Hotel Particular called Pozo di Borgo…" - <i>Cathleen Naundorf</i></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-46916770486851131432019-06-03T20:06:00.001-07:002019-06-03T20:45:04.152-07:00Cowboys- Man, Woman, Horse - Photographs and Words by Laurie Simmons<div dir="ltr" style="text-align: left;" trbidi="on">
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"Parenthetically, I have to say, I don't really like dolls, nor have I ever liked them." - Laurie Simmons</div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-44741382654799324712018-01-11T08:42:00.001-08:002018-01-11T08:42:22.962-08:001814 MAGAZINE Issue no. 11<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAZCcl2kMWboGLptet1XyhI0WfxtaCIuLzK9F9Kc6aPvbf3vyFr4MV3VzdV1pKM42Bvvlj34Q-2b-Tlo7X4jh80squsJdUHmS4xg6DqStE0iZqmrqzkrksENfzGDdKgTFh4GK0zBmi4Nk/s1600/no11.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1258" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAZCcl2kMWboGLptet1XyhI0WfxtaCIuLzK9F9Kc6aPvbf3vyFr4MV3VzdV1pKM42Bvvlj34Q-2b-Tlo7X4jh80squsJdUHmS4xg6DqStE0iZqmrqzkrksENfzGDdKgTFh4GK0zBmi4Nk/s400/no11.jpg" width="313" /></a></div>
1814 MAGAZINE Issue no. 11 includes the work of Ellen Carey, Jim Dow, Leon Gimpel, Yanina Goldstein, Christopher Herwig, Graciela Iturbide, Jeremy Kost, Stanley Marcus, Will McBride, James Moore, Melanie Pullen, and Lloyd Ziff.<br />
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Issue no. 11 cover, "Givenchy Turns to Haute-Couture Beauty", Dénise Seranet, 1964, by James Moore<br />
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<a href="http://www.1814mag.com/"><span style="color: black;">www.1814mag.com</span></a></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-59830418061235885082018-01-11T08:41:00.001-08:002018-01-11T08:43:13.668-08:00Soda POP! - Photographs and Words by Melanie Pullen<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixPg_capL5IoUDdnxQvaxcfT2rHhnfnr4wPXhl4LGgNYg5HGthAUNt1sbY8XzYfC1kN5GePkUtMBB98urdRCZsk3ovTiY9BZuj1I5wtksyZItpqqzLFQILck9zf5A4jDKcfA_W14Hyx70/s1600/FullSizeRender-15.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixPg_capL5IoUDdnxQvaxcfT2rHhnfnr4wPXhl4LGgNYg5HGthAUNt1sbY8XzYfC1kN5GePkUtMBB98urdRCZsk3ovTiY9BZuj1I5wtksyZItpqqzLFQILck9zf5A4jDKcfA_W14Hyx70/s400/FullSizeRender-15.jpg" width="400" /></a></div>
"Soda POP!<br />
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In the shadows, of large-scale cinematic photographs that I've become most known for, I'm always shooting work that's much more personal, pieces that are like entries into my journal. My series "<i>Soda POP!</i>" may be my most personal and autobiographical body of work of them all.<br />
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<i>Sopa POP! </i>is my personal story about 1983 and a moment in my strange and unconventional childhood when I was plagued with insomnia. The series is also about games, curiosity, motherhood and how all these things have changed my perception of the world.<br />
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The story of <i>Soda POP!</i> begins, where I grew up, in NYC's, Greenwich Village, around the time that I was eight years old, in 1983. I was dealing with a lot: insomnia, a new sister, my mom's new husband from Guatemala who fed me tacos all day and didn't speak and English, my grandmother's new husband that was my mother's previous boyfriend (a lovely African man 20 years my grandmother's junior with a three foot Afro… not easy to explain when he picked me up from school), and my bi-polar cat…" - <i>Melanie Pullen</i><br />
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<a href="http://www.1814mag.com/"><span style="color: black;">www.1814mag.com</span></a></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-21851465414496299612018-01-11T08:40:00.004-08:002018-01-11T08:40:41.491-08:00How to Raise an Eyebrow (1962 - 1970) - Photographs by James Moore, Courtesy of Deborah Bell Photographs and Nicolas Moore<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRMZS4pN9rfyMOHJpndLM8BX5hgDJfxOxpLNl_-j4BkSpEL5ehliN-KfS7puCA2isstgvvHFNb-RWtScohC0eHna7jl70z6M6X1PEzGepSDxK3Fguq43bWOaXhcmTbVSF_mk7EbZFNJwU/s1600/FullSizeRender-12.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRMZS4pN9rfyMOHJpndLM8BX5hgDJfxOxpLNl_-j4BkSpEL5ehliN-KfS7puCA2isstgvvHFNb-RWtScohC0eHna7jl70z6M6X1PEzGepSDxK3Fguq43bWOaXhcmTbVSF_mk7EbZFNJwU/s400/FullSizeRender-12.jpg" width="400" /></a></div>
This selection of images focuses on the early work of photographer James Moore from 1963 through 1970. The series includes inspired collage work that is strikingly modern and photographs reminiscent of European court portraits of the Renaissance.<br />
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<a href="http://www.1814mag.com/"><span style="color: black;">www.1814mag.com</span></a></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-34788968173712960582018-01-11T08:40:00.002-08:002018-01-11T08:40:16.569-08:00New York Los Angeles - Photographs by Lloyd Ziff from his book "New York Los Angeles"<div dir="ltr" style="text-align: left;" trbidi="on">
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Lloyd Ziff offers a look thru his archive of photographs of New York and Los Angeles taken over a period of 40 years. Ziff's photographs seem to bend perception and at times obscure reality.<br />
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<a href="http://www.1814mag.com/"><span style="color: black;">www.1814mag.com</span></a></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-8677170411513059402018-01-11T08:39:00.004-08:002018-01-11T08:39:47.570-08:00To Paris with Love - Words and Works by Ellen Carey<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj__lkM1tnJTxGbCrzwT5HHx6xoeLFaoZB_iXp1xYEotHFt-S2IKmO_PTqm-OitIs6hiXsnpLVDEIPHm0vusHsN0aqZAkxwnwBAR7-kCrNz02mFg7Ahcm2KSD9TuV_UwmGODvAfZr68z0o/s1600/FullSizeRender-5.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj__lkM1tnJTxGbCrzwT5HHx6xoeLFaoZB_iXp1xYEotHFt-S2IKmO_PTqm-OitIs6hiXsnpLVDEIPHm0vusHsN0aqZAkxwnwBAR7-kCrNz02mFg7Ahcm2KSD9TuV_UwmGODvAfZr68z0o/s400/FullSizeRender-5.jpg" width="400" /></a></div>
" <i>To Paris with Love </i>is a site specific installation of 130 Polaroid negatives representing the total number of deaths in the recent Paris attacks, as well as the 12 killed in the <i>Charlie Hebdo</i> massacre, plus 4 Jewish hostages that were murdered during the siege at a Hyper Cacher supermarket in s suburb of Paris. The large scale, grey negative is evocative of a headstone, while Polaroid's matte patina echoes the lichen of the stone's<i> </i>physical surface. The empty rectangle stands for the absence of the individual. In photography, a traditional portrait includes the person's head and shoulder, a visual presence. Here it is absent.<br />
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Pliny the Elder, in his <i>Natural History</i> (ca. 77-79 CE) relates the myth of art's origin in a fable about the daughter of Butudes, a Greek potter from Corinth. She drew the outlined profile of her lover's shadow as it was projected on the wall by a lamp, just before he left for battle, and which her father made into a relief sculpture. Thus, before the real shadow departs with its owner it offers the young woman an image from which to construct a representation of her beloved, which she fixes on the wall for all time…" - <i>Ellen Carey</i><br />
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<a href="http://www.1814mag.com/"><span style="color: black;">www.1814mag.com</span></a></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-24532914089711486472018-01-11T08:39:00.002-08:002018-01-11T08:39:15.946-08:00What the Eye Sees - Photographs and Words by Graciela Iturbide<div dir="ltr" style="text-align: left;" trbidi="on">
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"What the eye sees is a synthesis of who you are and all you've learned. This is what I would call the language of photography." - <i>Graciela Iturbide</i><br />
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<a href="http://www.1814mag.com/"><span style="color: black;">www.1814mag.com</span></a></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-34706013268750565282018-01-11T08:38:00.002-08:002018-01-11T08:38:47.793-08:00Soviet Bus Stops - Photographs and Words by Christopher Herwig, From His Books "Soviet Bus Stops" Volumes 1 & 2<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihfbcSIvcQwY5JwsJGeeNLgT1bO303YnJRSzVVyUYy0DSd1tjNroni8ZThCCWuvflVzSWYjSPrIY-OZwCro1MqR6U7CpluCadUafP1J6ezdnmdNXRabjsjNOUk4p6-viB3RQ9QC-zMJtk/s1600/FullSizeRender.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihfbcSIvcQwY5JwsJGeeNLgT1bO303YnJRSzVVyUYy0DSd1tjNroni8ZThCCWuvflVzSWYjSPrIY-OZwCro1MqR6U7CpluCadUafP1J6ezdnmdNXRabjsjNOUk4p6-viB3RQ9QC-zMJtk/s400/FullSizeRender.jpg" width="400" /></a></div>
"In 2002 I decided to ride my bike from London to St. Petersburg, with the challenge of taking a good photo every hour. The subject didn't matter as long as it was interesting. Those 3,000 kilometers across Latvia, Lithuania, Estonia, and Russia forced me to notice details: graffiti, smokestacks, gardens, clothes on clotheslines, people waiting for the local bus. Those long roads were the start of my obsession.<br />
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In 2003 I moved to Almaty, Kazakhstan, and for three years I explored the five former Soviet republics of Central Asia. The stereotypes were all there: concrete apartment blocks, generous vodka shots, and towering statues of Lenin. But so were the eccentricities that defied Soviet conventions. In Canada, where I come from, bus stops are all the same. But in the former Soviet republics, many were unique, imaginative, and sometimes a bit mad. Each new bus stop I encountered came with its own personality…" - <i>Christopher Herwig</i><br />
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<a href="http://www.1814mag.com/"><span style="color: black;">www.1814mag.com</span></a></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-40451266668527197352018-01-11T08:37:00.004-08:002018-01-11T08:38:19.141-08:00The Army of the rue Grenéta - Les Enfants et la Geuerre - Photographs by Leon Gimpel, Courtesy of the Société Francaise de Photographie<div dir="ltr" style="text-align: left;" trbidi="on">
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In the summer of 1915, as World War I raged into its second year, celebrated photojournalist Leon Gimpel was commissioned by the weekly French newspaper <i>L'Illustration </i>to create rare color photographs of intriguing people around Paris. While searching for just the right subject Gimpel discovered a group of small children from the rue Grenéta who regularly played 'war' and reenacted the battles that were in the news of the day…<br />
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<a href="http://www.1814mag.com/"><span style="color: black;">www.1814mag.com</span></a><br />
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-88178880398657141412018-01-11T08:37:00.001-08:002018-01-11T08:37:07.824-08:00The Evolution of Antony - Interview with Antony Cherrie, Photographs by Yanina Goldstein<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>1814</b>: Well its been a few years since we interviewed you for Issue no. 3 and so much has changed in your life and career. Can you bring us up to date?<br />
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<b>AC</b>: Well first and foremost I can safely say I'm really good these days at packing a suitcase. I've been living a gypsy life since the last time we spoke, traveling and meeting all kinds of romantic oddballs.<br />
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There has been copious amounts of red wine and acting in film and theatre, writing songs,, and exploring dark places past and present to match even the best Legend of Zelda game.<br />
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When I was younger I read lots of autobiographies from Adam Ant to Nirvana and I always used to love the chapters 3 to 5 before they became what they thought they wanted to be. I guess I wanted to concentrate on my chapters 3 to 5 so I could have a good collection of new experiences for the next batch of songs…" - <i>Antony Cherrie</i><br />
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<a href="http://www.1814mag.com/"><span style="color: black;">www.1814mag.com</span></a></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-60217508211832039432018-01-11T08:36:00.003-08:002018-01-11T08:36:35.712-08:00French Girls - Painted Polaroids by Jeremy Kost, From His Book "Paint Me Like One Of Your French Girls"<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieXRAjOq60_nijyisHUIM6BQC0xu8s7ZPDV67gzdXlRia-9E9lsStjfh8-msX3SDDcY-WoetS0oyTbwKgUYUMKx6sWsSBN9i5id5thvFHmv9a-r51e7CDJEiFHGqwWghorp-TfLg6zmts/s1600/FullSizeRender-19.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieXRAjOq60_nijyisHUIM6BQC0xu8s7ZPDV67gzdXlRia-9E9lsStjfh8-msX3SDDcY-WoetS0oyTbwKgUYUMKx6sWsSBN9i5id5thvFHmv9a-r51e7CDJEiFHGqwWghorp-TfLg6zmts/s400/FullSizeRender-19.jpg" width="400" /></a></div>
"A Junior Vasquez live recording from Twilo goes on. A stack of Polaroids is sifted through. The memories rush back from both the music and the images. Inspiration strikes. With a relatively quick gesture, a Polaroid is painted.<br />
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The images on these pages are all from my archives… 2009 - 2012, to be precise. Perhaps they were a secondary portrait from a collage, or a single Polaroid of the moment made for posterity.<br />
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The first of this series began by chance and through frustration. I had taken a painting on canvas a few steps too far effectively 'knifing' the piece, and in a childish fit, I slapped the painting with a Polaroid that had been sitting on my desk. The result was intriguing…" - <i>Jeremy Kost</i><br />
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<a href="http://www.1814mag.com/"><span style="color: black;">www.1814mag.com</span></a></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-5146090988316511790.post-28960069695495217632018-01-11T08:36:00.000-08:002018-01-11T08:36:04.688-08:00Salem Suite - Photographs by Will McBride, Courtesy of ClampArt Gallery and Shawn McBride<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3Dk-j1TPA1R39pb8ny2CTceHyIaj86L8nGIR5_q3VBBRjLwznb9nE8fnkCiahFP1rdVGxSUOi7AuVTR4ff-lK8IkD3fOzOMWtNf3ZW0p8ivUk_Kp_wtotDCgrD8ZU4Gxxj4p0qTLdPZg/s1600/FullSizeRender-16.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3Dk-j1TPA1R39pb8ny2CTceHyIaj86L8nGIR5_q3VBBRjLwznb9nE8fnkCiahFP1rdVGxSUOi7AuVTR4ff-lK8IkD3fOzOMWtNf3ZW0p8ivUk_Kp_wtotDCgrD8ZU4Gxxj4p0qTLdPZg/s400/FullSizeRender-16.jpg" width="400" /></a></div>
"Salem Suite" is perhaps the most important body of work by photographer Will McBride. This series was originally commissioned by the German magazine <i>Twen </i>in 1963. McBride's images taken at the elite boarding school, Salem Castle School, in Beden-Württemberg document various aspects of student life including meals, lessons, athletics and communal showers.<br />
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<a href="http://www.1814mag.com/"><span style="color: black;">www.1814mag.com</span></a></div>
Unknownnoreply@blogger.com